Sophie Jacobs is going through the most difficult time of her life. [6], Production finally began on May 19, 2003, and took place on Cox's days off from her Friends shooting schedule.   |  Now, she just has to find out if it's real. This cannot be undone. This product uses the TMDb API but is not endorsed or certified by TMDb. Mark Holcomb, reviewing for The Village Voice, said the film was "less compelling the more apparent its solution becomes. That year, Courteney Cox became pregnant with her first child, and producers realised she would be unavailable to promote the film until after she gave birth. Sony Pictures Classics released it to theaters in the United States on July 22, 2005, and while its award-winning digital video photography was praised, many reviews criticised the film's story for being too ambiguous and derivative of other pictures. Kirk Honeycutt proclaimed Schreiber "the movie's real heroine, as she dramatically meshes the real with the surreal, creating different looks and emotions for each segment through light and color," while Jack Mathews wrote, "I suspect that it was her work—perhaps alone—that changed "November's" fate from a direct-to-video release to a brief first run in theaters.". Make a List Browse Lists Search Lists Leaders Help / Contact Newsletter. National Treasure. Howl's Moving Castle. In 1989, I started keeping track of every movie I watched. [24], Marc Mohan of The Oregonian dismissed the film as "a post-Memento, mess-with-your-head thriller that thinks it's much cleverer than it is", but commented that Courteney Cox "doesn't embarrass herself" in her role, while The Hollywood Reporter felt that she was "as convincing as she could possibly be." [15] The film was eventually sold later that year to Sony Pictures Classics, which had handled Groove. Cinematographer and Sundance Film Festival judge Frederick Elmes commented of Schreiber's work, "She lit it and used colors in a way that the camera responded. The second version suggests that Sophie was present at the shootings and was only spared because the shooter ran out of bullets, and the third suggests both Sophie and Hugh were killed. [5] Once they and Renfrew were satisfied with their work, the group began pitching the project to various production companies. [6], November was included in the Official Selection at the Sundance Film Festival, and received its first public screening there on January 18, 2004. Species III November 26, 2004. However, by continuing to use this site Chicago Sun-Times critic Roger Ebert, who drew comparisons between the film's narrative and Elisabeth Kübler-Ross's five stages of dying model, argued "answers would be beside the point. Harrison, who had started out in the film industry as an editor, noted the strong involvement of key creative personnel throughout the pre-production, production and post-production stages, and called it "kind of a more holistic approach to post-production".

Cox was a comic actress widely known for her role on the television sitcom Friends and had participated in only a handful of more serious productions. And I think we were successful in doing that". The Opposite Sex and How to Live with Them. Others such as Walter Addiego (San Francisco Chronicle) believed the film was a conscious decision on Cox's part to "establish movie credibility after the megasuccess of Friends". Sophie's headaches continue, and she begins to hear strange noises coming from within her apartment building and mysterious voices on the phone. [16] After the Sundance screening Harrison returned to the editing room to make final tweaks to the film. Follow me on Letterboxd to see what I watch - I follow back:, Star Wars: Episode II - Attack of the Clones (2002), 1001 Movies You Must See Before You Die (2003-2020 Update, Chronological), Whatculture's 10 Movie Sequels Better Than the Original, Bet You've Probably Never Seen These Great Movies. Are you sure you want to delete your score and checked items on this list? The budget did not allow the luxury of trailers, but with some persuading, neighbouring apartments were converted into staging areas. Harrison, who cited the "terrible, terrible" experience of coping with the death of a close friend as one of his personal inspirations for the film, focused their efforts on inserting a more profound element of emotion into the script; in his words they were "trying to express the subjective experience of trauma".

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