2 have expressed stronger general critical acclaim for the album. [10] "I Want the Wind to Blow (Backwards)" takes influence from dub music as well as featuring a dial-noise throughout the song.

[9] Sudden piano stabs and abrupt rhythm and key changes are present throughout The Glow Pt. [73], Jason Lipshutz of Billboard chose "Instrumental" the sixth track as one of the "greatest interludes of all time".

Na tym nowatorskim albumie odnajdziemy ich mnóstwo, w większości cudownych. [24] Stylus Magazine's Tyler Martin asserted that the Microphones "spew innovation every second of this disc" and noted that the album "promises something you have never heard before and delivers it, perhaps more than you'd expect".

2. Facebook Pinterest Twitter. 2. [5], Elverum created the distortion on the album via "running the guitar through the mic input on a thrift store cassette deck, then out the headphone jack into the amp".

2. [44][45] Grayson Haver Currin from Bandcamp viewed The Glow Pt. I Want Wind To Blow. Może giną one trochę pod powłoką brzmieniową, pod kocami i wiadrami, przechodząc niekiedy niezauważone, a uderzająca jednorodność również sprawy nie ułatwia, ale jak już wspominałem, wydawnictwo do przyswajalnych nie należy.

2 was met with generally positive reviews from contemporary music critics.

Zbigniew Stonoga niespodziewanie nagrywa uniwersalny popowy hymn.

Już wydany w 2000 roku It Was Hot, We Stayed In The Water, nastręczał ogromne problemy opisowe (to zadanie na szczęście przypadnie nie mnie), będąc być może jedną z najbardziej ożywczych, pasjonujących i nowatorskich rzeczy jakie się ostatnio muzyce przydarzyły. [29], Craig Dunsmuir of Exclaim! 2 in the least". 2 rewolucji w rockowym światku nie przyniesie i najprawdopodobniej, ze względu na swoją akomercyjność, wielkich szans na częste goszczenie w radiowych rozgłośniach nie ma, na pewno stanowi interesującą pozycję dla tych, którzy cenią sobie współczesny dorobek amerykańskiej alternatywy 2, doznanie byłoby silne i zaowocowałoby natychmiastową chęcią nabycia albumu.

[1] Elverum hoped to achieve a more organic sound by recording it on a 16 track analog tape. I mimo, że płyta The Glow, Pt.

[64] Cokemachineglow, Stereogum and Tiny Mix Tapes all included The Glow Pt. 2 is the third studio album by American indie rock band the Microphones. 2 Chords by me Lyrics as submitted to genius.com by user makesomenoise When you play Cmaj7 in this song, I recommend you repeatedly switch between Cmaj7 and Cmaj9 by taking off and putting on your pinky finger.

[16] The countermelody to the song is played in the key of G major, though the main melody is played in a higher register.

2 is the third studio album by American indie rock band the Microphones.It was released on September 25, 2001, through K Records and later through P.W. [31] According to Christopher Roberts of Under the Radar, The Glow Pt. Great pressing all around, the packaging reminds me allot of a MOFI release very heavy and sturdy cardboard was used.

[2] "The album's third track, "The Moon", features acoustic guitar chords alongside Elverum whispering lyrics, with him having found the inspiration for the song in his routine nightly walks.

2 in a ranking of Elverum's "essential" albums, as did Ian Gromley.

2 has been included on numerous retrospective lists. More information View images . [54] Under the Radar writer Wendy Lynch praised the album and labelled the Microphones as "one of the most original, interesting bands to come out in the last 3 years". 2's deep, nearly spiritual yearning that makes it the Microphones' most compelling album to date".

[7] The drums were recording via multi-tracking with the snare and bass drum added after the initial recording. [42] According to First Order Historians, the release of The Glow Pt.

Nic dziwnego: The Glow, Pt. 2", is overrated. The Glow Pt.

The records themselves sound great although my only complaint is they needed cleaning as the records were packaged in paper sleeves rather than plastic, so the paper scuffed up the vinyl. Przejście do drugiej części "The Glow" (pierwsza znajduje się na It Was Hot) to jeden z najbardziej inspirujących fragmentów płyty.

Nie pamiętam kiedy ostatni raz miałem do czynienia z tak cudowną, powtarzaną partią gitary akustycznej, jak w otwierającym całość "I Want Wind To Blow". [36] Writing for PopMatters, Dan Raper stated that "Microphones fans will find Other Songs & Destroyed Versions more than worth the investment. 2, 2xLP, RE, RM, Gat, ELV031, "The Glow" Pt. Wyrastająca z prog-folkowej tradycji, nierzadko urozmaicona delikatnymi dźwiękami instrumentów dętych, miejscami okraszona ciepłym kobiecym głosem. Słynna anegdota mówi o tym, do jakich nietypowych zabiegów uciekał się muzyk, by osiągnąć satysfakcjonujące go, oryginalne brzmienie. [79], Credits are adapted from The Glow Pt. I tu jest pies pogrzebany. 2. Elvrum raczy nas wieloma chwytliwymi motywami gitary, w szczególności mowa tu o takich kawałkach jak "I Want Wind To Blow" czy "Headless Horseman". Comparisons to the Elephant 6 collective aside, "The Glow Pt. 2 liner notes and AllMusic.[1][80]. [12] Elverum's lyrics range from highly specific to "macrocosmic" in scale. 2." Za oceanem, od razu po wydaniu została ona okrzyknięta jedną z najciekawszych pozycji w dorobku artysty.

2. 2 "was one of the most acclaimed and beloved indie rock albums at the start of the millennium". "[18] It features the line "my blood flows harshly," which Elverum holds for 14 seconds. [28], The Glow Pt.

Oprócz fragmentów spokojnych zdarzają się także momenty nieco ostrzejsze, jak chociażby pierwsza część "I Want To Be Cold". The album was released under his label P. W. Elverum & Sun, Ltd.[27] Due to K Records failure to properly bookkeep, it is unknown how many copies of The Glow Pt. Proszę mi wybaczyć ilość zachwytów nad geniuszem, nowatorstwem, świeżością i oryginalnością Microphones.

Ten młody geniusz miał już na swoim koncie kilka wydawnictw zanim rozpoczął pracę całkiem na własną rękę. [5] LeMay felt that the album "exceeds even its predecessor in capturing the simultaneous wrath and fragility of nature", and praised the title track as being "the single most breathtaking song on the album".

[35] In The Guardian's "Hidden treasures" column, Hancox described the album as "a masterstroke" and "a millennial Daydream Nation".

[55], After a second reissue of The Glow Pt. W tym właśnie leży główna zasługa podziwianego przez mnie artysty i przez długi czas będę mu za to wdzięczny. Zrozumienie przychodzi tu nieprędko, czasami po kilkunastu nawet przesłuchaniach.

[21] The songs "I'll Not Contain You" and "I Felt Your Shape" discuss the "impossible desire to hold on to fleeting things".

and "I Hope You Wish You’d Die".

[6] The distorted drums were recorded by raising the volume on the microphones, particularly Sennheiser mkh 405, and using compressors. 2, 2xLP, RE, RM, Gat, ELV031 Great pressing all around, the packaging reminds me allot of a MOFI release very heavy and sturdy cardboard was used.

Jeśli chodzi o to drugie, sam Elvrum podaje nazwisko swojego mistrza i jednocześnie kolegi, Karla Blau, ale należy chyba patrzeć na deklaracje samego autora z dystansem. [59] In the years since release, The Glow Pt.

Give me black or white. 2 was recorded entirely in stereo.

The term "destroyed version" refers to Elverum isolating and "unmixing" the songs that appeared on The Glow Pt.

2 Lyrics: I took my shirt off in the yard / No one saw that the skin on my shoulders was golden / Now it's not / My shirt's back on / I forgot my songs / The glow is gone / … What do you think?, why? If you’d like to make this friendly stranger the envy of friends and acquaintances, please feel free to reach out. 2 are absolutely breathtaking" due to its stereoscopic enhancements. stated that the album is an example of "where the cliché of 'hearing new things in it every time you listen' actually rings true".

To szósta i zapewne nie ostatnia płyta w dorobku zespołu Microphones, w którego skład wchodzi zaledwie jeden człowiek, Phil Elvrum. 2 has been reissued multiple times. 2, as an important release in Elverum's career, stating that it "began to make the Microphones an indie rock commodity". 2" on a list of "10 Essential back-to-back song pairs". [9][a], The theme of fire is central to the album. 2 with the machine being credited as "Karl Blau", a friend of Elverum.

Dave Heaton of PopMatters described the Microphones' approach to music as "free and idiosyncratic", while calling the approach "constrained by few boundaries, a fact that allows them to travel through various unique musical lands".

Jednak przybliżenie zawartości The Glow, Pt.

and which albums of Phil could be better in your opinion. Incredible release. [37] The lyrics, including those on "I'm Like You, Tree", continue the references to nature established on The Glow Pt.



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